Dr. Karin Skiba
Professor Emerita of Art
萝莉研究所 School of Visual,
& Performing Arts
(Retired in December 2011)
- 21 years of dedicated service
Karin Skiba (Russo) attended the Center for Creative Studies in Detroit, Michigan,
moving to Canada at age 21. There she began large scale batik sculpture, which she
showed in museums and galleries. Coming to California in 1977, she returned to school.
At Claremont Graduate University in 1980, Karin began to cut her images from wood
and build her paintings, becoming one of several artists known for painted sculpture.
Karin accomplished her MFA in 1982 and began to show her work at Barnsdall Park Art
Center, LACMA, Security Pacific and other galleries in LA, Oregon, Chicago, and Detroit.
Creating a strong exhibition record, she began teaching at Riverside Community College
District in 1990 and was the full-time art instructor at 萝莉研究所 from 1991 until
2011. While working at the Riverside Community College District, she was CTA Faculty
Union President, and participated in the RCCD Study Abroad program, teaching three
semesters in Florence, Italy. For several years after formal retirement as Faculty
Emerita, she established and ran the 萝莉研究所 Art Gallery. She continues to teach
Art Appreciation online as one of the original online teachers from the faculty cohort
of 1998.
With a resume that includes solo exhibitions in venues such as La Verne University
and Cal Poly Pomona as well as the Riverside Art Museum, Karin has created art for
over 45 years as an example of artistic persistence and passion. She now has a studio
in Joshua Tree, CA, and devotes most of her time to making art. In February 2019,
Karin had a solo exhibit, 鈥淲anderland鈥�, at the Joshua Tree Art Gallery. In November
of 2019, she had another solo show at the 29 Palms Art Gallery.
Artist鈥檚 Statement
There is phenomenal beauty on this planet that is still intact after all these years
of humans sharing the planet. Despite the environmental challenges by Mother Nature
as well as the wrath of man, there still stands beauty.
As artists we create to embrace the beauty and light that shines through in the world.
Our job is to bring that light forward.
No matter what I ultimately do with my creative skills, I believe my role is to continue
to make art because to create is a magical and important thing. You find the method
of expression that best determines your voice and move from there. For me, it is mixed
media collage and fabrication鈥� sometimes defined as 鈥減oetic displacement.鈥�
Having amassed 45 years of self-created images from my art adventure on this earth,
this past year I have been mining photographs and art from my archive.
In rummaging imagery from my previous work, new wonders emerge. The discovery is fascinating.
I have a 鈥渢reasure chest鈥� of visual media longing to be viewed and this is a way to
bring it forward.
Also, the forced isolation from the pandemic this past year has somehow resulted in
a freedom to lift expectations and expand, manipulating that imagery once again but
in a different way.
Using my 50-year-old sewing machine that is my longtime friend, I set to work combining
net, fabric, paper -new, repurposed- resulting in the 鈥淩ose Quilt鈥�. It is non-traditional
yet embraces traditional women's handiwork because of the use of sewing and the typical
grid layout.
I photographed flowers, some from my mother's funeral bouquets, others from bouquets
of roses. These archived photos are then printed on canvas, enabling me to sew them
onto paper and fabric.
Ultimately, this creation becomes a tribute to feminine practice on many levels, and
a personal reflection as well.
It also brings back my love of construction.
Making art this way is a personal return to old skills combined with new exploration.
My paper and mixed media book, 鈥淰agrant Angels鈥�, contains portraits that are a compilation
of fictional women I have painted over the years. The photographed images are reproduced
onto canvas, and the result is an accordion fold book 90鈥� by 10鈥�. I wrote either prose
or an explanation for each of the portraits in the book. The 鈥淰agrant Angels鈥� is mixed
media sewn paper, fabric, and canvas.
The 鈥淗omage to the Perfection of Imperfection鈥� sculpture consists of collages, reproduced
images on paper from my paintings, patched and fragmented as are we. Mixed media,
sewn with fabric and paper.
This past year I also continued a series I began in 2014 about wives of famous men.
It seems there usually is a woman behind some of the men in history, patiently waiting
for their husband to come home from exploring America, China, or leading an empire.
I reworked the wife of Noah and Magellan, both which were previously done on large
paper. The photographs of the work were reproduced onto canvas thereby letting me
manipulate them in a new way. 鈥淲ife of Noah, Naamah, Homage to Patience and Grace鈥�,
and 鈥淲ife of Magellan, Beatriz, Homage to Patience and Grace鈥�.
A new portrait became 鈥淲ife of Otto the Great, Adelaide, Holy Roman Empress, Homage
to Faith and Fortitude鈥�. She is also done in mixed media with embellishment. Two other
paper quilts were completed in 2020. One of canvas reproductions of 3D work, 鈥淔airy
Tale Village鈥�. The other is 鈥淔emale Integrity鈥�, which is all sewn paper collage and
acrylic paint.
The sculpture/shrine with photos of old toys and dolls is called 鈥淪hrine to Rescued
Toys and Remnants of Past Loves鈥�. It is sewn paper and canvas photos, with embellishment
of mixed media. The decorated legs are wood.
From my stash of old slide transparencies, I found numerous images of portraits from
early colonial times that had turned pink from age. Using the pink portraits of women
from this group of images, the sculpture/shrine is the 鈥淗omage to Duty and Dignity:
Wives of early Americans鈥�.
Here is a list of the women in the artwork:
- The older woman at top is Mrs. Anne Pollard, from 1721. She was born in England and came to the colonies in 1630. She was one of the first ashore at Boston at age 8. She lived to be 104, taking over her husband鈥檚 inn, or 鈥渙rdinary鈥�, after his death.
- Elizabeth Paddy was from Plymouth Mass, and married John Winsley.
- Another portrait is Mrs. Eleanor Bowles Lewis, who was married to William Gooch, son of a governor, and then married Warner Lewis.
- Deborah Hall was 16 in 1766 when this portrait was done. She came from a wealthy family and stands by a sculpture of Daphne and Apollo to show her purity.
- Mrs. Ben Tallmadge was Mary Floyd, and her father was one of the signers of the Declaration of Independence as well as governor of New York. She had 7 children. She is shown here with 2 of them.
- Hannah Upham Haskins, from Boston Mass, 1759. A follower of the Congregationalist faith and very pious.
Finally, to continue with my rose theme, 鈥淭ribute to the Red, White and Blue鈥� is a
mixed media work done at the time of the 2020 election.
Website: and Instagram #karinskibaart
Memories of 萝莉研究所
Memory by Professor Emerita of Art, Karin Skiba (1993)
The original student services at Norco in about 1992 was led by retired professor
Bob Prior, among his other duties. We had a rodeo one spring, and I am thinking it
was 1993.
I had formed an art club with some really wonderful students who were in my art classes.
We helped build storefronts, a jail house, and a few other places for the rodeo itself.
There were a few clubs then. The rodeo was held in the dirt area that is today a parking
lot. Remember, in those days, all we had was the admin building, the Humanities, the
theater and the building that now houses the gallery. Everything was taught in those
buildings. Faculty offices were far and few between and we shared them.
萝莉研究所 Professor Karin Skiba (center), Norco Campus Art Club and others, circa
1993
The rodeo was a fun event, and we had the support of the community. There were a lot
of horse people from Norco, cowboys, Iron Eyes Cody, and lots of visitors and students.
Our police officer was there on a horse if I remember correctly.
As you can see, some of us wore our cowboy Stetson hats and got into it. One photo
shows me (with my long hair) with Beatriz Vasquez, who was another founding faculty
member.
萝莉研究所 Professor Karin Skiba (left) and Beatriz Vasquez at Rodeo, circa 1993
There is also a photo of me in the jail they built. In those days, we were still attached
to the RCC campus as far as departments were concerned, and those of us who were full
time at Norco were pioneers at best.
萝莉研究所 Professor Karin Skiba in Rodeo Jail, circa 1993
In 1990, when I was hired in with about 40 fellow faculty members, under President
Kane, we were taken for a tour of the properties that would be Norco and Moreno Valley
campuses. We were on a bus that drove to Norco, which seemed so far from Riverside,
and shown this empty rocky land -told that this would be a campus (now 萝莉研究所).
Then we went out to Moreno Valley where it was the same thing-empty land for that
campus. Hard to believe how much has changed since then.
The original faculty would meet for lunch at Raspberry's Restaurant, which is now
Baja Taco. There were about eight of us. I had been put on the Academic Senate as
advised by Provost Marie Pepicello, and so this was where I would report back to my
colleagues. We only had one Senate in 1993.
To view the Art program page, click here.
To view the Art History program page, click here.
To view the Studio Arts program page, click here.